
Monday May 16, 11:46 a.m.
Yup, finally saw "Black Swan" at Roppongi Hills with MB, The Satyr, Skippy, The Sylph and Miss Ivory, aka The Movie Gang, yesterday. And I can totally understand Natalie Portman getting that Best Actress Oscar earlier this year. The cynical among us Oscar watchers feel that to get the golden guy, an actor has to portray a person who is damaged in some way (e.g. Tom Hanks in "Philadelphia" and "Forrest Gump") and has to be in a movie with scenes of screaming ("The King's Speech", "American Beauty"). Well, there was plenty of both to be had in this one.
However, Natalie Portman fulfilled another requirement to earn the Gold. She not only convinced us that she was a ballerina on the edge of a psychotic breakdown but she also made us forget that she had ever been Queen Amidala, and even Mathilda from "Leon". And I guess another requirement has come up...the willingness to get real nasty, if you get my drift, and if you have already seen "Black Swan", you'll know what I mean. Let's say the idea of Queen Amidala getting it on with Meg Griffin is no longer the property of either Peter Griffin or Glenn Quagmire. Oh, r-i-i-i-i-i-ght!
As for the movie itself, it also worked since after watching it, a number of angles came up. For example, the fact that Portman's character of Nina is virtually in every scene made me wonder what was reality and what was fantasy. Even the lipstick-smeared word of "WHORE!" on the mirror in an early scene could've been a hallucination of self-loathing. And I only found out in the closing credits that the entire movie was a modern-day re-telling of "Swan Lake" with all of the main cast playing re-imagined versions of the classic characters. In addition, although I still won't go to a ballet performance, I did learn something about Tchaikovsky's classic. I also thought there was a taste of Faust in "Black Swan" with Nina falling for Thomas' mentoring technique...and for him which reminded me of that poor protagonist's deal with The Devil.
Of all the movies I've seen this year, "Black Swan" has definitely taken the top spot in my estimation, although I would hardly call it a feel-good flick by any means. Even the usually crabby reviewer of METROPOLIS gave it a unanimous rave, which makes it interesting that reviews were surprisingly polarized. Apparently in the rest of the world, reviewers were very much "love it or hate it". Even Leonard Maltin hated the retelling although he loved Natalie. It seems that the Japanese response has been OK although not quite on the Oscar level. I think for one thing, ballet isn't quite the common afterschool activity that it is back in North America...kendo and piano lessons would be more the thing here. Skippy had a somewhat mixed look on her face as we were leaving the theatre.
The next couple of months will see a number of films for The Movie Gang to catch. "Pirates of the Caribbean 4" is up this weekend. Movie Buddy is definitely up for it but The Satyr is very standoffish. And then in a couple of more weeks, "X-Men: First Class" is up to bat. I'm a bit nervous about this one due to the relative failures of "X3" and "Wolverine", the latter of which should've been a home run, but I'm hoping that some of the young top talent and the 60s vibe will bring it up some.