
Monday July 12, 5:05 p.m.
Well, thanks to a sudden cancellation by Swank last night and the extended absence of SIL, I had plenty of time to see the only Japanese movie that I am willing to see....and that is "Odoru Dai Sosasen" or "Bayside Shakedown 3". The series has returned after 7 years (and a total of 13 years after its original premiere on TV) and this new entry reflects a number of changes concerning the fictional Bayside Precinct.
Yuji Oda is back in his immortalized role as Sergeant Shunsaku Aoshima, charmingly feckless but very just-minded policeman in the Odaiba district of Tokyo (he would make a fine Japanese Doctor Who). Over the past decade, he has seen himself go up the ranks to achieve Sub-Section Chief...albeit as just the organizer of the big move from the old HQ to a spanking-new building. Inexplicably, the move has gotten a huge amount of press (as would be the case in a Japanese trendy drama), which has increased the stress factor on Aoshima. But then come a couple of mysterious crime-free crimes, a possible cancer scare for still-fairly young Aoshima and finally the return of an old terrifying enemy...and she comes with acolytes this time.
After watching this latest entry, there is quite a bit to talk about here. There's a lot that's the same but also some big differences...a bit schizoid. Concerning the former, the story follows in the same way that virtually all of the previous two movies, the TV specials and the original series followed: a regular day in Bayside is wrecked by some sort of mysterious crime and further complicated by political machinations involving the higher tainted brass which then leads to an epiphany of what is truly just, just before the crime is solved. Also the director has stuck to his guns (pun intended) and continues to refuse any sort of gunplay...at least overtly...any shooting has taken place offscreen.
As for the differences, the main cast has been expanded and changed...and aged. At some points, Aoshima looked properly plumpily rumpled, and The Three Amigos, the three sycophantic, comically villainous leaders of Bayside Precinct, looked like they were ready to be shipped out to pasture. And it was obvious that the true villain of the piece, Manami Hyuga (played by former aidoru Kyoko Koizumi) has changed from the pixie-ish psychopathic killer that made her debut back in the first movie in 1998 to a warped middle-aged goddess.
In fact, I would say that the overarching theme of "Odoru Dai Sosasen 3" is that of change and the passage of time. And perhaps the biggest fans of the series may have left the theatre feeling fairly wistful. This is really Aoshima's movie. Most of his foils have largely become distanced due to promotion. Tetsuro Yanagiba, as ever-tense elite cop Muroi, has been given a mere extended cameo and the banter between him and Aoshima....one of the main things about the franchise....is limited to just one short scene near the end. Aoshima's mentor, Heihachiro Waku, has gone off to that police academy in the sky...his family replacement is his super-avid nephew, armed with his late uncle's beloved notebook of wisdom. The late Chosuke Ikariya is what is most missed in this movie, although his voice pops up at one point. Basically, only his combative partner, Sumire Onda, is left to give him advice/a kick in the pants. The rest of the active cast are the veteran juniors and some new officers consisting of Yuki Uchida, Shun Oguri and the son of a former Prime Minister of Japan. Along with some other missing old characters and virtually missing ones, things are definitely changing. Even the frenetic opening credits with the familiar techno theme is missing.
A lot of the comic elements have also gone missing, but the presence of an almost "X-Files" main plot in the 2nd half of the movie concerning psycho Manami counters it nicely. However, the subplot of Aoshima mistakenly diagnosed with lung cancer was a cheap device which should've been excised. Also, the subtitle of the movie can be translated as "Release The Bastards" referring to all of the people who were put away by Aoshima in previous episodes, movies and specials. But only Manami gets full billing while a couple of others only get cameos and the other 5 or 6 are just shown in pictures.
At the special preview a couple of weeks ago, Yuji Oda announced that there would be a fourth movie but I'm not sure if it will be the same ol' "Bayside Shakedown". However, the Publicity Assistant told me that the third movie has become a huge hit, so most likely the next entry will be on its way.