Monday September 7, 5:30 p.m.
And even before all the MB weekend, I had found myself with a rather empty Friday since The Bass decided to cancel his class on the 4th. So I decided to take a recce and did a couple of walks in The Big Sushi hours before my stint at the juku. I started out in Shibuya since I hadn't been there in quite a while (my stints with The Class Act all seem like a faded memory now). Just started clicking away at the camera like a regular tourist before I walked up Route 246 Aoyama Dori towards Aoyama and Omotesando. Came across some funky architecture such as the Ami Hall in the left picture. Continued walking up 246 until I made it to Gaienmae. Then I hit the subway and took it up to Ginza.
After checking out Yamano Music as usual, I just walked it up all the way to the Imperial Palace. That's Nijubashi you see up on the right...Nijubashi is translated as "double bridge" since the real thing clearly reflects its image in the moat water. Of course, the usual tourist groups were there walking around the area since they couldn't go inside the compound itself.
Despite my large amount of faux-sightseeing, I did purchase some stuff. At Tower Records, I picked another couple of discs from Ken Burns' "Jazz" epic documentary, along with Michael Jackson's "Off The Wall" album. Have yet to hear the whole disc though I did listen to "Rock With You". I also picked up a J-Pop album from Mariya Takeuchi from her early years: "Miss M". I can safely say that noone could ever mistake that album with any by The Divine Miss M, Bette Midler. I'd been getting the latter releases by Takeuchi from the 90s onwards which has shown her to be a serene middle-aged beauty just lounging about. "Miss M" was released in 1980, when she was all of 25 years of age and perhaps just before marrying her equally famous husband, Tatsuro Yamashita. Young Mariya looked like a prettier and classier type of pop aidoru back then...all twinkling eyes, teeth and bangs with that look of "Aw gosh...I really am in Hollywood!" expression, all wrapped up in a suit that a member of a barbershop quartet would just adore.
The early 80s, as far as Japanese New Music was concerned, was practically synonymous with American AOR. It seemed as if a lot of the Japanese singers at that time like Takeuchi, Hiromi Iwasaki, Anri and Naoko Kawai were just begging to be produced by the likes of David Foster who had been behind a lot of the hits for AOR/R&B legends like James Ingram and Bobby Caldwell. "Miss M" was Mariya's contribution to binational AOR diplomacy. Half of the songs were done in LA with the aforementioned Foster and a lot of the familiar names one would see in American AOR album liner notes. What got me to buy the album was the first track, "The Sweetest Music", which I'd seen via YouTube last week with Mariya and backup girls sashaying due to a disco beat....yup, she's been around that long. At that point, Mariya had already been giving her tribute to the Great American Songbook via the Connie Franklin chapter, but with "Miss M", she didn't just throw herself into AOR but also into a bit of disco, balladry and even cool jazz. Quite a revelation for an old kayo kyoku fan like me who's been accustomed to seeing 54-year-old Takeuchi being most notable recently for her annual Xmas jingle for KFC.



